Estampas revista del universal

Book donation and visit to inmates of Women’s Prison

By putting together a collection of pictures of the tsunami, including pictures of Panadura, Trincomale, Galle, Negombo, Nilaveli and Atagama, the author describes how this catastrophe affected the economy and the daily life of its inhabitants. fms.it

By putting together a collection of pictures of the tsunami, including pictures of Panadura, Trincomale, Galle, Negombo, Nilaveli and Atagama, the author describes how this catastrophe affected the economy and the daily life of its inhabitants. fms.it

(b) For made-up articles, in the case of 16 specific categories, the 1996 amendment conferred origin to the country where the raw fabric of which the article was made, whether woven or knitted, was formed, irrespective of whether they were made up

(b) For made-up articles, specifically for 16 specified categories of made-up articles, the 1996 change established the origin as the country where the constituent greige fabric was formed by weaving or knitting,

AMLO teaches scapulars as his “protective shield” against

Thanks to the new printing techniques, coinciding with the beginnings of advertising, stickers became popular. The first documented was part of a series of Bognard Litografia in 1867 to illustrate the pavilions of the Universal Exhibition in Paris. In 1879, Marques de Lorne cigars in the USA incorporated cardboard images to reinforce the packages, an initiative that was followed by most tobacco companies. These companies developed an intense activity during the 1880s and 1890s as publishers of stickers and issued numerous collections, especially of baseball players.

Historically, and until the appearance of photography in the world of trading cards, they were reproductions of debuts created for the collection. Throughout the years, there were numerous designers and illustrators from all over the world who excelled in this work.

In 1852, Aristide Boucicaut, from Le Bon Marché store, began to provide an album to paste stickers in exchange for the vouchers obtained by the customers in each purchase. Among the many products that they gave away stickers, cards, candies and later chocolates, they were the first to distribute themed albums [5].

There are no persecuted in Mexico, say Epigmenio and Sheinbaum

Painter and caricaturist, José Guadalupe Posada is internationally recognized for La Catrina, in addition to becoming famous for his lithographs with death scenes, popular prints and social caricatures, inspired by Mexican society of the previous century.

On January 20, 1913, the engraver and printer from Aguascalientes José Guadalupe Posada died. The poet Octavio Paz considered him “not an artist of the 19th century: like Alfred Jarry, he is our contemporary. He will also be the contemporary of our grandchildren”.

“At the end of the 19th century a great artist emerges: José Guadalupe Posada”, said the author of The Labyrinth of Solitude, who throughout his life wrote great praises to the work of the Mexican engraver born in Aguascalientes on February 2, 1852.

André Bretón in the prologue of his Antología del humor negro says that “the triumph of humor in its pure and full state, in the domain of plastic art, must be placed at a date close to us and recognize as its first and brilliant craftsman the Mexican artist José Guadalupe Posada”.

Promo Revista Estampas edición del 23 al 26 de septiembre

El camino forjado por pioneras defensoras del feminismo como Teresa Claramunt, Carmen de Burgos y Emilia Pardo dio sus frutos durante los años de la Segunda República. Los sucesivos gobiernos que ocuparon el poder desde 1931 hasta el final de la Guerra Civil adoptaron medidas reformistas que se materializaron en leyes que intentaban avanzar hacia la igualdad de la mujer y reconocer sus derechos en las normas políticas, civiles y sociales. Estas leyes chocaron con una sociedad aún poco preparada para estos avances, aunque las circunstancias que rodearon la guerra provocarían la movilización de muchas mujeres y marcarían su integración en actividades de las que antes estaban excluidas.

Las mujeres y el votoSímbolo feminista desde las primeras acciones de protesta de las sufragistas, el voto femenino ha sido uno de los derechos políticos más debatidos. En las Elecciones Generales del 28 de junio de 1931, las mujeres seguían sin poder votar pero podían ser elegidas como diputadas por el Decreto del 8 de mayo que ratificaba el sufragio pasivo. La aprobación del sufragio femenino se logró en el Congreso durante la sesión parlamentaria del 1 de octubre de 1931 en virtud de las intervenciones de Clara Campoamor, oponiéndose incluso a su propio partido político. Aunque una amplia mayoría de diputados reconocía el derecho de todas las mujeres a votar en las elecciones, muchos creían que aún no era el momento de concederlo, temiendo que los partidos de izquierda se vieran perjudicados -tal era la postura que mantenían Victoria Kent y Margarita Nelken, otras dos diputadas en esta misma legislatura-. La Asamblea Constituyente acabaría aprobando el sufragio universal, reflejado en el artículo 36 de la Constitución Española de 1931, y las mujeres españolas pudieron votar por primera vez en las elecciones legislativas del 19 de noviembre de 1933, en las que la Confederación Española de Derechas Autónomas (CEDA) obtuvo la mayoría; y por segunda vez el 16 de febrero de 1936 tras la victoria del Frente Popular, una coalición de partidos políticos de izquierdas.